Electronic Arts, Vertigo Entertainment and Outlier Society are developing “Battlefield” by Christopher McQuarrie.
Anonymous Content and Higher Ground Productions are developing “Untitled James Baldwin Project” by Marlon James and Nicholas Boggs.
FOX Entertainment Studios picked up the spec script “Bleed The Night” by Keith Cooper and Zoe Cooper.
20th Century Studios picked up “Every House Is Haunted” by Adam Schindler and Brian Netto.
Peacock is developing “The Chairman” by Matthew Weiner.
Peacock has given a greenlight to “Fast & Furious” by Mike Daniels and Wolfe Coleman.
Netflix is developing “American Royals” by Ted Malawer.
Fifth Season is developing “Twist” by William Oldroyd.
Should be exceptionally organized, well-versed in the entertainment business, ambitious, and eager to grow.
Assist with project management and tracking across multiple productions and initiatives. Conduct production research and assist with preparation for meetings, shoots, and other creative activities. Track creative and development projects, deadlines, and deliverables.
Administrative and personal assisting, along with the opportunity to gain exposure to virtually every aspect of feature filmmaking — from development through production and post-production.
Responsibilities may include assisting with development, reading and evaluating scripts and other material, researching projects and talent, supporting productions, and helping with the day-to-day needs of a busy production company.
Charles Swain is out with the spec script “Mission: Not Quite Impossible But Really, Really Difficult” by Jonathan Khan and Tony La Torre.
Pittmobile Talent Agency is out with the spec script “Baby Steps” by Judy Dent.
Fast Carrier Literary Management is out with the spec script “The Big One” by Slava Kirillov.
Crystal Ship Artists Talent & Literary Agency is out with the spec script “Santa’s Tailor” by Andrew P. Jones. When Santa’s suit fails, Christmas hangs by a thread.
Pittmobile Talent Agency is out with the TV spec script “Deadly Edge: Highway One” by Paul Ehrmann.